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~ Monday, May 28 ~
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Black Power: A History of Black Commodification and Future of Potential Subversion

this was a difficult birth

1. HUNGRY EYES

For however much the relationship between white supremacy and Black subjugation has changed through the bitter cold of the past centuries, here and now in year 2012,  the wind which carries the song of change still remains perpetually stagnate. As our bodies enter through the front of the theater, as our bodies sit in the front of the bus, as strange fruit no longer swings from the trees, those bodies still remain at the exterior of society: mindless, sensuous flesh bearing fruits which do not swing, they falls rotten next to the stump—dead on arrival, too many of us never grow into future.  

Our enslavement moves forward, we draw our eyes close and turn away; perhaps after almost four centuries we are just too damn tired right now.  Tired of being stepped past, spat on, shot at; tired of blackness and its baggage.  Blackness, by the way, is a series of identifying sociocultural traditions, characteristics, stereotypes historically attributed to people of African descent by European traders, slave owners, and later American settlers of the same regard.  Blackness has always been purposed in the ever hungry mouth of the widening capitalist economy as a commodity—defined by Marx as “an object outside us, a thing that by its properties satisfies human wants of some sort of another.” (26)  Because we see so much of the horror of past, we have for a long time left our eyes shut to the horror of the present.  

I argue that somewhere down the line, like when The Civil and Voters Rights Acts passed, Blackness didn’t become liberated, didn’t become welcomed, and it didn’t become desirable: Blackness didn’t stop being Black; meaning Blackness didn’t stop being used as a commodity, a “nigger-thing.” (Judy)  Legal integration was a paltry shuffling into a familiar social positioning—a bait and switch which left us with even less than we had: Blackness abandoned itself in the fervor for riches and fell into the evil clutches of the global techno-capitalist economy.  So let me, from here, attempt to explain, to you, how enslavement is what it has been for Black people, how it continues to be, but also how it can be the tool which may undo slavery and part open our future like the biblical sea our ancestors drew strength from, for “ the value of the nigger is not in the physical body itself, but in the energy, the potential force, that the body contains.  That force is there in the nigger body, standing-in-reserve, as it were, for its owner to consume as he/she likes.  That force is the thing the planter owns.  It is the property of the planter that is the nigger.  The nigger is that thing.” (Judy 223)  Forget Noah’s Ark, I think we’re old enough and I think we’ve rested enough to open our eyes, to become the masters of our own potential, and to build our own ship; and sail.

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Tags: blackness commodification
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~ Sunday, May 27 ~
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Salsa Sunday, the other birthday boy, y su madre (Taken with instagram)

Salsa Sunday, the other birthday boy, y su madre (Taken with instagram)


~ Saturday, May 26 ~
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craigcalderwood:

This is How we go Out!

Damn I have fabulous friends!


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It’s Complicated: Hegemonic Narratives in Noah’s Arc

Essay I wrote in English dissecting how Noah’s Arc subverts and reaffirms hegemonic narratives of heteronormative racism and classism.  Take a look, in my book. 

PS - Sorry the double spacing doesn’t carry over with copy & paste!

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Tags: noah's arc gay black men essay hegemonic narratives heteronormativity queer theory quare theory
~ Friday, May 25 ~
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nuestrahermana:

Bad Ass Black Goths: A Photoset For You To Reblog & Throw In People’s Faces

by Nuestra Hermana

In case you didn’t know, there has always been a lot of backwards ass racist sentiments towards black goths. Statements like, “there aren’t any black goths”, “black people just don’t look right as goth”, “Black goths are scary”, “Black people shouldn’t be goth” are prominent throughout the internet and within clubs and community circles.

Translated, these statements in their simplest root read something along the lines of: Black people cannot be gothic because they are not white.

Of course, not every non-black goth is this way but you will see more than plenty proclaim any of the above without a thought of how erasing and racist it is towards black goths.

Recently, I read someone posting something along the very same sentiment, claiming they had never seen a black person “pull off” being goth.

This here, is for all of you dears who truly believe that. I’m here to simply show you that Black goths do it real fucking well & are just as dark souled & artistically amazingly magnificent in the goth community (if not even more, yes, I did just say that to you.)

If you don’t know much about this or simply don’t believe me, you can read more for yourself here , where someone is asking for advice on “on how you would approach one” and here, where someone claims that black people make terrible vampires (TW: racist slurs)… and here where a black goth is attacked for simply asking if there are any other black goths in his area.

If you’re black and goth and want some support:

Black & African American Goths

Black/African-American Goths (364 members! Yes.)

Ps: I had a bunch more pictures but I couldn’t fit them in to this photoset.


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~ Thursday, May 24 ~
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Just turned in my final essay, school is over, it’s 420 right now, the future is overflowing with possibilities  (Taken with instagram)

Just turned in my final essay, school is over, it’s 420 right now, the future is overflowing with possibilities (Taken with instagram)


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~ Monday, May 21 ~
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seanbronsema:

Literally, in its most sincere meaning of the word ‘literal,’ this is my life right now.

Me at this very, very frustrating moment

seanbronsema:

Literally, in its most sincere meaning of the word ‘literal,’ this is my life right now.

Me at this very, very frustrating moment

(Source: angry-comics)


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strugglingtobeheard:

oshunshines:

elev8or:

Wowza

not to mention this looks like a nerve son.

yo, the stimulation around my crown chakra i got when seeing this was intense just now. woah

Reminds me of all the fun stuff I learned in Cosmic Evolution.  One of the hardest classes I ever took, but one of the most consistently interesting.

strugglingtobeheard:

oshunshines:

elev8or:

Wowza

not to mention this looks like a nerve son.

yo, the stimulation around my crown chakra i got when seeing this was intense just now. woah

Reminds me of all the fun stuff I learned in Cosmic Evolution.  One of the hardest classes I ever took, but one of the most consistently interesting.


9,437 notes
reblogged via guerrillamamamedicine
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It is a sign of white privilege to be able to “see” blackness and black culture from a standpoint where the rich culture of opposition black people have created in resistance mark and defines us. Such a perspective enables one to ignore white supremacist domination and the hurt it inflicts via oppression, exploitation, and everyday wounds and pains. White folks who do not see black pain never really understand the complexity of black pleasure. And it is no wonder then that when they attempt to imitate the joy in living which they see as the “essence” of soul and blackness, their cultural productions may have an air of sham and falseness that may titillate and even move white audiences yet leave many black folks cold.

bell hooks (via wretchedoftheearth)

HEL-LOOOO


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(Source: torturekiller)


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blackfashion:

Marcus Branch of SKLTN Magazine

blackfashion:

Marcus Branch of SKLTN Magazine


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fyeahblackhistory:

Happy Belated birthday Toussaint Louverture born May 20th 1743

colorful-history:

François-Dominique Toussaint Louverture (ca.1743-1803) was the leader of the Haitian Revolution, the only successful slave insurrection. In 1791, upset by the revoking of The Declaration of the Rights of Man, slaves all across Saint-Domingue (modern day Haiti) began to rebel. Although free and prosperous at the time of the revolts, Louverture abandoned this comfort in order to use his military genius to lead a slave army that would defeat the French, Spanish, and English. In 1793, the French voted to end slavery in their colonies, happy with this decision, Louverture agreed to expel the Spanish and British for the French, and managed to do so in a period of 7 days. When Napoleon came to power he reinstated slavery, which caused the blacks of Saint-Domingue to rebel once more. By 1803, having grown sick of these revolts, Napoleon declared he would recognize Saint-Domingue as independent, so long as Louverture promised to retreat from public life afterwards. When it came time for them to meet for negotiations, Napoleon broke his deal and had Louverture arrested; he would die in jail. The damage had already been done, and the rebellions still raged on under the command of his 1st lieutenant Jean-Jacques Dessalines, and 6 months later Napoleon would grant them their freedom, birthing the first free black Republic in the new World.


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wakeupblackpower:

“Angel of New York” Mati Klarwein

wakeupblackpower:

“Angel of New York” Mati Klarwein


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